Monday, 12 May 2014

Evaluation:

My final image: 


State what have you photographed and what your work is about
 This image shows a multiple exposure from two different red riding hood themed shoots. I gained inspiration for these shoots, from the fact that stories broaden and widen imagination and therefor 'expand horizons'. I decided I wanted to use a different type, other that the stereotypical red riding hood portrayal. This image shows the back of a model, walking down a path overlaid with a close up portrait. To me, this image portrays that there is something inside that is walking away, or even just red riding hood on the way to the grandmas, suggesting family love. 
Describe how your idea developed and changed if it did
My initial ideas included doing a darker, more gothic version of red riding hood or possibly overlaying text on the image. I also wanted to try a different template, perhaps having 3 images next to each other, however, the simple overlaying of a portrait really caught my eye. 
List the equipment you have used and techniques you have employed
For these images, I have used my canon 1100d and photoshop. I have experimented with blending modes, both overlay and lighten and also changed the opacity. I have used the free transform to resize and position my models and images effectively. This allowed me to frame the models face in the back of the second image. 
Explain the problems/challenges you encountered if any and what did you do to solve them
 I didn't really encounter any problems with this assignment. I did have some challenges on choosing images to be overlaid, however this was solved by experimenting and evaluating the weaknesses and strengths. 
Briefly name and describe how two artists work have influenced or can be related to your work in some way
An artist that really inspired me, in my experiments, was Nir Arieli. He overlaid multiple images, being fashion portraits, of male models. He used the studio and had plain coloured background. This inspired me to use a narrow depth of field, which would make the models the main focus. 
Another artist that inspired me was Chris Biele. This photographer did a different view on Red Riding hood. This showed his portrail of a darker model, shown with different props and how they were edited. This really inspired me to try different models, to find the one that fit the theme more and to also think about different ways to express the story. This was then done by the choice of location and the outfit. I also wanted the models expression to show a darker side. 
Comment on whether you are pleased with your final piece or not. Consider if you did it again would you change anything
I am really pleased with my final image, this is as it shows a different version of red riding hood and it looks very modern. I really like the positioning of the two individual images, when merged into one. I wouldnt change the image, if I were to do it again. 
















Getting to my final image:

I started with this image below, which i have evaluated in the previous post. I really liked this image as it seemed fashionable and modern, but still has context to the theme of little red riding hood. However, I have noticed that my portfolio mainly used the same model, this led me to experiment with my image and different models and images.

Starting point:



The next steps:
Next I  made the an adjustment layer  of black and white and colour splashed the woman figure in the middle. I found this really attractive as the red and white really contrasted with the black and white  portrait. However, i saw that some of the colour from the face was effected, this meant i would need to colour splash the first image then change the opacity. 



After the  layer image change: 
Next i noticed that the bottom of the hood and the top of the face needed  darkening. This was done by using the  burn tool on the main portrait layer. I also added a red filter, only slightly  to counteract the green. I also added a levels adjustment layer, just to add a darkness to the image. This was inspired by the dark and moody theme I wanted to achieve.  This was the end result <<

Next was the portrait change: 
This screen grab shows the portrait change. Here the model has her hair down and the hood not up. She is also slightly smiling and the image really doesn't look as dark as I want. I also think that her face isn't framed enough, unlike the model above. This led me to change the image again. 






Image change:
This image shows the portrait change and I find this portrait really adds something to the image. I have uploaded a bigger version below the screen grab. 
There are a few weaknesses of the image, one being that the top of the model hood distracts from the models face and also adds a comical view on the image, it being a cone etc. However, a strength of the image is that the face is framed by the models back and if i changed its place, I feel like it wouldnt be as effective. Below I have experimented with the positioning.  I also like that the ripples in the hood make the face look worn down and like the wolf has got her. Another idea is tears. The models emotion also adds to my main idea of dark and moody images.


Positioning changes/experimentation:











Ruth edits:

Again I started with simple editing and looking for my favourites. 
 
 

Here, I shot the model walking down a path. The location was chosen after looking at the story itself and wanting to show similarities in the book and my images. I was adjusting the saturation, to make the reds brighter and more vivid. When, I desaturated it and made it lighter. This is what happened, even though the image doesnt really show red riding hood, I do think its a very appealing image. This is because of the composition of the image, the model is in the middle of the image, which makes her the main focus. This is also backed up by the leading line of the path. The light green of the flowers also harmonises with the brigh green location, this also adds to the appeal of the image.
I will be thinking about using this image as a possible over lay. This would also symbolise walking away from something, perhaps the wolf. Or it could symbolise someone hiding and being a different person inside, if placed over a portrait.


This image is a close up of a more fashion orientated model. She is looking into the camera, while her hood is up. This is casting a shadow over her face and adds to the dark feel I wanted to express in my images. The background is out of focus, due to there being a narrow depth of field. There is alot of grain in this image, specifically on the models face, this shows a high ISO.
For this image, I simply changed the levels slightly, then increased the saturation. I also used the burn tool to add emphasis on the models eyes and eyeliner. I hoped this gave a more darker feel to the model, instead of it being more fashion orientated.



Next I tried overlaying two images and using different models. 




 
This image shows the opening of little red riding hood, by brothers grimm. It has been overlayed onto a portrait of red riding hood. I gained inspiration from Jean Loup Lafont. I decided to use a simple text ontop of a black and white image. This made the image very simple but also made the image lose the conotations of Little red. I think that the font was too plain and the background image also isnt too appealing and effective.
This image shows the change of font and image change. I personally like this image as the font seems more childish and audience appropriate. The font has a lowered opacity, yet it still readable. However,I think the image needs colour.

This image shows a overlay of a portrait and a landscape. Both images are in colour, which shows the contrast between the red hood and the green landscapes. The leaves are covering the models face, which suggests she is part of nature. This image doesnt really appeal to me as it doesnt seem dynamic and really eye catching. However, I think the colours work well and the next images that I overlay will have the same. I also like the path with the model as it links to the story.










This image shows an overlay of the two images at the top of the page. I really like the way the models face is captured between the second image models back. The opacity change allows both images to be seen. I have applied a slight burn to the top of the models head, just underneath the hood, to create a bigger/darker shadow and to add more mystery. However, I feel like this image can be improved. This could be by changing the colour/ turning it black and white or changing the portrait. Perhaps to a different model?







Contact sheet two - Ruth as Little Red - more fashion orientated

 
Shots are not really interesting and what im looking for. Not dark, too fashionable - only shows the back. Might use for overlay. 




Exposure drops down a few levels, really like the green, red and black contrast. Some of the landscapes may be used for overlay. Some of the portraits may be used for portraits and possible final. 

Images of model in the daisies wont be used. This seems not dark enough and too girly. Even though they are very attractive, by the angle. 


Photographs of props wont be used. Also first few lines of model preparing herself wont be used.

Like photographs of shoes, think this should be used for overlay. The lighting here is a little off and overexposed. 


Megan edits:

I really wanted to capture dark and moody images and wanted my editing to help express this through my images. I first started by doing simple edits, changing levels etc.

(Across) This image is a close up of the model, she is almost glaring into the camera. This is something I really wanted to achieve in my images as she seems moody and has an unstereotypical way of portraying red riding hood. The contrast between the red of the hood and lips really contrasts with the bright green landscape, the paleness of the models skin and the black ribbon.
As for editing, this wont be a final as I don't think its striking enough. For this, I adjusted the levels of saturation, on the hood and lips, to make them stand out and be very vibrant. I also slightly raised the saturation on the green location, however, it does look over saturated. I also cut out the models face, leaving the eyes and lips, and added a Gaussian blur. This was only slight but gave the models face a smoothness and made her almost doll-like.















This image is another lightly edited shot. Here, you see more of the models outfit and specifically the cape. I really like this image for the red reflection on the models face. This gives the models cheeks a blush, this was also affected by me raising the saturation of the red in the image. I like this as the model seems very fashionable, but doesn't portray the usual views of red riding hood.
Again, I used a Gaussian blur on the face, just to stop any red marks and unsmoothness on the skin. Again, as this image isn't highly edited and attracting to me, I wont be using this as a final.
The image across shows a full body shot of the model sitting on a wall. She is looking away from the camera, this suggests she isnt aware of the cameras presence or that she doesnt care and is confident. She is wearing a cape, which drapes down the wall, this to me is really attracting as it reminds me of a curtain that blocks her feelings. It also makes me try and see shapes. The model is wearing typicaly 'goth' and dark clothing. This was used to show a different, darker side to the story. I like the way the red in this image really contrasts and is vivd compared to the dark, almost black background. This forces the focus onto the red cape and the model herself.
For editing, I adjusted the levels slightly, I still wanted the image to be very dark and underexposed. I then adjusted the saturation on the red only, this also picked up the pinkness of the cheeks. I also added a slight gaussan blur on the models face, just to make it smoother and more appealing.


Here, I tried to overlay two images. I really liked these two individually and wanted to try the style of Nir Arieli.  I do think this image is very striking and modern. This also is very different to the usual red riding hood shots i have seen. However, I think it could be improved and needs to be experimented with. On the other hand, I really like the use of overlay and will experiment with this more.













 Here, I changed the blending mode to 'lighten'. This has made the background lighter and has increased the saturation. It has also made the detail in the two images more visable and compared to the above experiment, this is the stronger. However, I am uncertain of those two images working together and feel like I need to experiment with image types, models positions and even blending modes and opacity changes.





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Here, I wanted to try adding a red hue to the images. This was to express danger and to also combine and portray the theme of red riding hood. However, I found that the red made the image lose some of its impact on the viewer and that I wanted to achieve the contrast between the red cape and the dark green location.












I experimented with changing the hue to blue and green just to see the difference in images. This really reminded me of the work by Andy Warhol, but as I have previously used this technique I decided not to expand.
Like the red, I prefered the original coloured iamge more. The same reason applies here, I wanted to achieve the contrast between the red cape and the dark green location.

Contact sheet one: Megan as Little Red!

This photo shoot was done in a rural part of Derby. I chose this for the amount of pathways, forests and little corners of shade which added context to the image and also made the images seem dark. Halfway through my contact sheet, you'll see that the exposure drops down a few levels. This was done to add a dark shade and effect to the images. This really interested me because the red seemed to really pop and contrast with the green location.







How to experiment: Research - Jean-Loup Lafont

This photographer has used a handwritten font on a glass panel and photographed it. To me, this looks like another layer, on photoshop, that he has added. This inspires me to think about fonts and add extra layers to my images.


Still life Photography, Glass Plate with Writing, Street in Vienna, Autumn 2010, France Yvette Studio, Paris


In this image, there is a glass screen with writing on. The writing is repeated and gives the viewer more context about the photographer’s day. I plan to experiment with overlaying text on a portrait; this text could be an extract from the book or the models comment. This again would give the viewer more context on the image. The image is in colour and you can see the bright yellow house behind the glass panel. This gives the viewer the impression of a sunny, hot country, from reading the text, you find out its Vienna. There is a narrow depth of field; this makes the text the main focus of the image. Also the blurred background makes the viewer curious to what else is happening.  This image inspires me to think carefully about what my image shows and what I overlay. This could be text or another image. I could try overlaying a pattern on my images or perhaps using materials and transparent paper/roll to write my text on.

How to experiment: Research - Nir Arieli

This artist uses photoshop to overlay portraits of males. Mainly, these are shot in the studio and show the model in different directions. This really inspires me to make my model do different positions and then overlay then on photoshop. I would like to use different colours, perhaps have one layer in black and white and the other in partly colour and black and white, colour splash. For the location, I will need a low f number and a narrow depth of field. This is so the background isn't really distracting from the model(s).

Image 1:                                                                      Image 2:
multi layered photography by nir arieli

Image one:
In this image, you see a multiple exposure of a male model. They are topless and are looking in different positions, two of the exposures are looking to the left, while the end one is looking into the screen/camera. This gives direct address to the viewer and also makes the model seem more confident. The background is plain and really makes the forground the main focus. It also seems to lighten the skin tone of the model and the tone matches the background. The image is in colour, the pink to white gradient background symbolises feminity, which makes it attractive to female audiences. This makes me think that these images are really fashion based. The exposure in the middle really inspires me to try having two images overlayed, one of these could be the back of the person, this will be red riding hood and will show the hood and outfit of the model. I could also have the other image as a close up portrait of the model.

Image two:
This image shows another mutliple layer/exposure of a male model. This image has a blue background and a blue filter on top. This gives the whole image a cold feeling and also symbolises masculinity. In this image, the models are looking to each side, this really makes the image catching as first the viewer focuses on the middle of the image. When looking closer, the viewer sees that the middle image shows multiple facial features, etc eyes. This adds a surreal feel to the image. This again inspires me to try overlaying two images, either two portraits, a portrait and a landscape or a portrait and a full body shot.

Monday, 24 March 2014

Research pages - Little Red



Research 6- Casey Jane



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Image 1:
This image is a close up of a black haired model, which is wearing a hooded cape. She is holding it, as if to prevent it from falling in the wind. She is looking up, in her eyes you can see the light which suggests either a backdrop of high location lighting. There is a stereotypical outfit, of a red cape and white dress, which inspires me to think about the colours of my models outfit. This may be the same or red and black dress. If I used a black dress, the model would look more gothic and give the image a darker feel.
There is a fast shutter speed and a narrow depth of field, which focuses the viewer onto the model. I really like the distance in the image, however I want my image to show more than the outfit, so may use a full body shot or have the model further away.



Image 2:
This image is far away from the model, which suggests she is small compared to the world. The high trees also add to this effect and make the model seem trapped. The model looks like she is running, which inspires me. This adds to the story behind the image and makes the viewer curious. It makes me want to imagine the wolf chasing her. In the image, the main red and white first captures the viewers attention, you almost don’t realise it’s a person until you look again.
There is a fast shutter speed and a wide depth of field, which focuses the viewer onto the model. I really like the distance in the image, I want my image to show more than the outfit so this distance would be effective.  






Research 5 - Anne Leibovitz








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Image one:  Merida from Disneys Brave:

disney pixar brave pic merida Disney/Pixars Brave Won A Golden Globe January 13, 2013 
Movie poster: above:

Image one mimics the movie poster above. I found this set of images very inspiring as the amount of  attention and care in these images is really shown. The models outfit, hair, props and even location match the poster. This inspires me to think about the book itself and notice the little things. I will be putting my own spin on the images, but I want the viewer to know the main theme. 
The image shows the model, stated as 'Jessica Chastain', on a horse. The location is a rural landscape, which matches the film as its set in scotland. 
The image has been photoshopped, by photographing the model then 'pasting' her onto the location. 
I wont be doing this on my images, however I could try applying a page of the book on top of the image via photoshop.




Image three:  Snow white:

Film still: Above:


This image mimics and slightly changes the film still above. It shows ‘Rachel Weisz’ as Snow White. She is holding a bird whilst there are other forest animals around her. The sun is coming through the crack in the trees, which seems to shine onto her. I particularly like this image and am inspired by the location. It reminds me of a little coven, or secret hiding place. I will try to find one of these for my images. There is a wide depth of field, and like the Brave image, I think it has been photoshopped. Yet it does look realistic and fairytale like, which I want in my images. The image gives a very exciting and adventurous feel, which has more of a children audience. However, adults can admire the beauty and think about their childhood. 





Research 4- Chris Biele - Red Riding Hood


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Image one: 
This image has a very dark theme and mood. I am particularly inspired by the amount of red and the co-ordination of the props. The outfit in the image is also very inspiring as the red and white contrast. The red symbolises danger and lust, where as the white symbolises purity. The wicker basket is full of books and apples, which inspires me to think about props. This reminds me of the brothers grimm 'wine and cake'.
The background is very dark and less exposed than the model, which suggests to me location lighting. There is also a narrow depth of field, which focuses the viewer onto the model. 
The roses in the image seem to be floating. Here they could be attached to the backdrop, thrown into the air or photoshopped on. 
There is also a bit of personality in the outfit, shown by the steampunk goggles. This again shows another side to the story.

Image two:
This image is a full body shot of the same model. Here we see more of the location and from clues, such as the window, we find out it’s a castle. This again adds to the dark, mysterious feel to the image. Here the model is looking down, which suggests to me she was almost blinking. However, it also suggests shyness, which doesn’t really fit with the dark tone of this image. We see more of the props now, the voodoo doll, apple, gloves and dagger, these fit in with the dark mood. It also inspires me to think about props, cake and wine and maybe a dagger.  Flowers would also fit in with the brothers Grimm edition.  The image has a wide depth of field, as the whole image is in focus. The image uses a rule of third, which makes the viewer focus on the  model. The bright red outfit contrasting with the grey background also supports this. This inspires me to think about outfit choice and maybe I should use non-stereotypical outfit choice, such as gothic boots or headgear? This image is very inspiring as its dark and gothic like, but also fits in with the story. This makes me want to make my images immediately capture the viewers attention and give a second, perhaps more darker side, to the story. 






Research 3- Model - Ana Silva:


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Image one: 

This image is very fashionable and the link between the model and fruit really inspired me. It inspired me to think of props and the model. Here it is the red fruit and the light red cheeks of the model. I could have the same here, except it being the red of the cloak, red hair and red cheeks of the model. 
The location is very plain, a forest which again inspires me to use dark and less detailed backgrounds. 
The image itself is very saturated, this is seen by the bright red, and the way the skin is more orange.
There is a narrow depth of field, which focuses the viewer onto the model. 
The outfit is very simple and the model is looking away from the camera, suggesting shyness. 

Image two: 
This image raises suspicion and mystery. It shows the back of the model, walking through a mess of trees, in a forest. This inspires me to use a forest in my images, I could also do a dark side of the story, such as in the brothers grimm tale. The outfit matches the mystery feel, it being so simple and also looks like something out of a horror film. There is light in the background of the image, suggesting the model is 'walking towards the light'. This again gives the image a darker feel. 
The image is desaturated, which inspires me to edit the images in a way that represents what i want to convey. For example, if I wanted exciting and bright images, I would increase the saturation. If I wanted them darker, I would desaturate or only lower the saturation. 




Monday, 10 March 2014

Research 2 - Little Red - Brothers Grimm


The brothers Grimm version of little red riding hood, named 'Little Red Cap' shows a darker side to the story. I will pick out the important parts of the story and state how they inspire me.

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Once upon a time there was a dear little girl who was loved by everyone who looked at her, but most of all by her grandmother, and there was nothing that she would not have given to the child. Once she gave her a little cap of red velvet, which suited her so well that she would never wear anything else; so she was always called ‘Little Red- Cap.’
One day her mother said to her: ‘Come, Little Red-Cap, here is a piece of cake and a bottle of wine; take them to your grandmother, she is ill and weak, and they will do her good. Set out before it gets hot, and when you are going, walk nicely and quietly and do not run off the path, or you may fall and break the bottle, and then your grandmother will get nothing; and when you go into her room, don’t forget to say, “Good morning”, and don’t peep into every corner before you do it.’
‘I will take great care,’ said Little Red-Cap to her mother, and gave her hand on it.
The grandmother lived out in the wood, half a league from the village, and just as Little Red-Cap entered the wood, a wolf met her. Red-Cap did not know what a wicked creature he was, and was not at all afraid of him.
‘Good day, Little Red-Cap,’ said he.
‘Thank you kindly, wolf.’
‘Whither away so early, Little Red-Cap?’
‘To my grandmother’s.’
‘What have you got in your apron?’
‘Cake and wine; yesterday was baking-day, so poor sick grandmother is to have something good, to make her stronger.’
‘Where does your grandmother live, Little Red-Cap?’
‘A good quarter of a league farther on in the wood; her house stands under the three large oak-trees, the nut-trees are just below; you surely must know it,’ replied Little Red-Cap.
The wolf thought to himself: ‘What a tender young creature! what a nice plump mouthful—she will be better to eat than the old woman. I must act craftily, so as to catch both.’ So he walked for a short time by the side of Little Red-Cap, and then he said: ‘See, Little Red-Cap, how pretty the flowers are about here—why do you not look round? I believe, too, that you do not hear how sweetly the little birds are singing; you walk gravely along as if you were going to school, while everything else out here in the wood is merry.’
Little Red-Cap raised her eyes, and when she saw the sunbeams dancing here and there through the trees, and pretty flowers growing everywhere, she thought: ‘Suppose I take grandmother a fresh nosegay; that would please her too. It is so early in the day that I shall still get there in good time’; and so she ran from the path into the wood to look for flowers. And whenever she had picked one, she fancied that she saw a still prettier one farther on, and ran after it, and so got deeper and deeper into the wood.
Meanwhile the wolf ran straight to the grandmother’s house and knocked at the door.
‘Who is there?’
‘Little Red-Cap,’ replied the wolf. ‘She is bringing cake and wine; open the door.’
‘Lift the latch,’ called out the grandmother, ‘I am too weak, and cannot get up.’
The wolf lifted the latch, the door sprang open, and without saying a word he went straight to the grandmother’s bed, and devoured her. Then he put on her clothes, dressed himself in her cap laid himself in bed and drew the curtains.
Little Red-Cap, however, had been running about picking flowers, and when she had gathered so many that she could carry no more, she remembered her grandmother, and set out on the way to her.
She was surprised to find the cottage-door standing open, and when she went into the room, she had such a strange feeling that she said to herself: ‘Oh dear! how uneasy I feel today, and at other times I like being with grandmother so much.’ She called out: ‘Good morning,’ but received no answer; so she went to the bed and drew back the curtains. There lay her grandmother with her cap pulled far over her face, and looking very strange.
‘Oh! grandmother,’ she said, ‘what big ears you have!’
‘The better to hear you with, my child,’ was the reply.
‘But, grandmother, what big eyes you have!’ she said.
‘The better to see you with, my dear.’
‘But, grandmother, what large hands you have!’
‘The better to hug you with.’
‘Oh! but, grandmother, what a terrible big mouth you have!’
‘The better to eat you with!’
And scarcely had the wolf said this, than with one bound he was out of bed and swallowed up Red-Cap.
When the wolf had appeased his appetite, he lay down again in the bed, fell asleep and began to snore very loud. The huntsman was just passing the house, and thought to himself: ‘How the old woman is snoring! I must just see if she wants anything.’ So he went into the room, and when he came to the bed, he saw that the wolf was lying in it. ‘Do I find you here, you old sinner!’ said he. ‘I have long sought you!’ Then just as he was going to fire at him, it occurred to him that the wolf might have devoured the grandmother, and that she might still be saved, so he did not fire, but took a pair of scissors, and began to cut open the stomach of the sleeping wolf. When he had made two snips, he saw the little Red-Cap shining, and then he made two snips more, and the little girl sprang out, crying: ‘Ah, how frightened I have been! How dark it was inside the wolf’; and after that the aged grandmother came out alive also, but scarcely able to breathe. Red-Cap, however, quickly fetched great stones with which they filled the wolf’s belly, and when he awoke, he wanted to run away, but the stones were so heavy that he collapsed at once, and fell dead.
Then all three were delighted. The huntsman drew off the wolf’s skin and went home with it; the grandmother ate the cake and drank the wine which Red-Cap had brought, and revived, but Red-Cap thought to herself: ‘As long as I live, I will never by myself leave the path, to run into the wood, when my mother has forbidden me to do so.’
It also related that once when Red-Cap was again taking cakes to the old grandmother, another wolf spoke to her, and tried to entice her from the path. Red-Cap, however, was on her guard, and went straight forward on her way, and told her grandmother that she had met the wolf, and that he had said ‘good morning’ to her, but with such a wicked look in his eyes, that if they had not been on the public road she was certain he would have eaten her up. ‘Well,’ said the grandmother, ‘we will shut the door, that he may not come in.’ Soon afterwards the wolf knocked, and cried: ‘Open the door, grandmother, I am Little Red-Cap, and am bringing you some cakes.’ But they did not speak, or open the door, so the grey-beard stole twice or thrice round the house, and at last jumped on the roof, intending to wait until Red-Cap went home in the evening, and then to steal after her and devour her in the darkness. But the grandmother saw what was in his thoughts. In front of the house was a great stone trough, so she said to the child: ‘Take the pail, Red-Cap; I made some sausages yesterday, so carry the water in which I boiled them to the trough.’ Red-Cap carried until the great trough was quite full. Then the smell of the sausages reached the wolf, and he sniffed and peeped down, and at last stretched out his neck so far that he could no longer keep his footing and began to slip, and slipped down from the roof straight into the great trough, and was drowned. But Red-Cap went joyously home, and no one ever did anything to harm her again.
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How the highlighted parts inspired me: 


loved by everyone - gives me the idea of her outfit, must be fashionable and model must look nice and kind
a little cap of red velvet - outfit? as much red as possible 
piece of cake and a bottle of wine - Props to be used - in a basket? 

under the three large oak-trees, the nut-trees are just below; - Location - forest matches both this version and normal
how pretty the flowers are about here - Location and props - have in images
She was surprised to find the cottage-door standing open, - location? Large doorway? 
nd scarcely had the wolf said this, than with one bound he was out of bed and swallowed up Red-Cap. - Show confrontation between both 
But Red-Cap went joyously home, and no one ever did anything to harm her again. - Path? Walking home? Mid air shot? Show happiness and safety